Screenplay Coverage2026-02-10T23:03:16-04:00

Order your screenplay coverage today before wasting time on another draft

Script coverage is a professional evaluation of how a script functions on the page. Not encouragement. Not general impressions. A clear read of what’s working, what isn’t, and where revision effort will actually matter.

Coverage is available for feature films, television pilots, and long-form narrative projects. Each script is read with an eye toward structure, clarity, pacing, and execution, the same fundamentals used in development and production environments.

The goal is simple: help you see the script as it’s likely to be received, not as you hope it will be received.

What the coverage focuses on

Coverage looks at the core mechanics that shape how scripts are read and evaluated, including:

  • Overall structure and progression
  • Clarity of the central conflict
  • Scene purpose and repetition
  • Pacing, escalation, and focus
  • Areas where revision will have the most impact

These points exist so you can quickly see how the read is framed before you commit. The full notes explain why these elements are helping or hurting the script.

The VENICE 2 camera with 8.6K image sensor

Basic

100$
  • Clear, professional feedback on story, structure, and craft. Best for early drafts or writers who want a grounded read on what’s working and what isn’t.
  • 1-day Delivery

Comprehensive

300$
  • A deep, development-level read with full character, structure, and market-aware notes. Built for writers preparing a script for submission, pitching, or serious revision.
  • 2-day Delivery

Premium

175$
  • This service builds on our standard coverage with additional depth, context, and specificity. Clear, professional feedback on story, structure, and craft.
  • 1-day Delivery

“I wanted to circle back. I really thought your feedback was outstanding and I was thinking of posting it on my BLOG.” “I really do appreciate your outstanding feedback.”

Pamela A. PerryGoulardt, Flying Cloud Studios

“Thank you so much for the quick response with reviewing my screenplay. Your insights are informative and definitely helps me with moving into a positive direction with rewrites and possible mini series.”

Linda Massucci

If you’re unsure, this is for you

If you’re on the fence, that’s usually a good sign. It means you care about the work and you don’t want vague notes, inflated praise, or feedback that leaves you more confused than when you started. A lot of writers hesitate because they’ve been burned before, by coverage that felt rushed, generic, or disconnected from how scripts are actually read in the real world.

This coverage is meant to remove that uncertainty, not add to it. You’re not buying encouragement or a personality test for your script. You’re buying clarity. The goal is that when you finish reading the notes, you know where the script stands, what matters most in revision, and whether pushing forward makes sense. Even when the feedback is tough, it’s specific, grounded, and useful. Most people click “order” not because they’re confident, but because they’re tired of guessing.

What will I actually get after the coverage is finished?2026-02-02T23:11:11-04:00

You’ll get a written evaluation that breaks down what’s working, what isn’t, and where revision effort will matter most. This isn’t about rewriting your script for you or flattening your voice. The goal is clarity. You should walk away knowing what the next draft needs to do and whether the project is worth pushing further in its current form.

Who is script coverage really for?2026-02-02T23:12:14-04:00

It’s for writers who want a straight answer before they send their script out into the world. It’s also for producers or creatives who already have a project and need an outside read that isn’t polite or vague. We’ve found it’s especially useful when you’re too close to the material and can’t tell anymore what’s working and what you’re just defending out of habit.

What exactly do you look for when you read a script?2026-02-02T23:12:22-04:00

We’re reading the script the way someone in development would. Not as a writing exercise, and not as a favor. We’re paying attention to structure, character, and what the story seems to think it’s about versus what’s actually landing on the page. We’re also asking a very practical question the whole time: Does this feel like something a producer could move forward with, or does it stall once you look past the opening stretch?

For questions about screenplay coverage, or related development work, use the form below.

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