Most coverage services provide general reader impressions. Our coverage is structured like real development notes, with scoring, category analysis, and specific rewrite priorities. You’ll know not just what isn’t working, but why it isn’t working and what to change first.

You’ll get a written evaluation that breaks down what’s working, what isn’t, and where revision effort will matter most. This isn’t about rewriting your script for you or flattening your voice. The goal is clarity. You should walk away knowing what the next draft needs to do and whether the project is worth pushing further in its current form.

It’s for writers who want a straight answer before they send their script out into the world. It’s also for producers or creatives who already have a project and need an outside read that isn’t polite or vague. We’ve found it’s especially useful when you’re too close to the material and can’t tell anymore what’s working and what you’re just defending out of habit.

We’re reading the script the way someone in development would. Not as a writing exercise, and not as a favor. We’re paying attention to structure, character, and what the story seems to think it’s about versus what’s actually landing on the page. We’re also asking a very practical question the whole time: Does this feel like something a producer could move forward with, or does it stall once you look past the opening stretch?